Shenyang/CN, Cultural Art Center
2014, IV/83, mech./elektr.
I. CHORWERK schwellbar/encl. |
C-c4 |
Lieblich Gedackt | 16' |
Geigenprincipal | 8' |
Rohrflöte | 8' |
Principal | 4' |
Flöte | 4' |
Quintflöte | 2 2/3' |
Flautino | 2' |
Terzflöte | 1 3/5' |
Larigot | 1 1/3' |
Septime | 1 1/7' |
Sifflöte | 1' |
None | 8/9' |
Cornettino III | 2 2/3' |
Harmonia aetheria VI | 2 2/3' |
Mixtur V | 2' |
Guan (Clarinette) | 8' |
Vox humana | 8' |
Tremolo | |
Tuba | 8' |
Tuba | 4' |
II. HAUPTWERK |
C-c4 |
Principal | 16' |
Principal | 8' |
Flöte | 8' |
Gedackt | 8' |
Großnasard | 5 1/3' |
Octave | 4' |
Flöte | 4' |
Großterz | 3 1/5' |
Quinte | 2 2/3' |
Superoctave | 2' |
Terz | 1 3/5' |
Superquinte | 1 1/3' |
Cornet V | 8' |
Mixtur major VI | 2' |
Mixtur minor IV | 2' |
Posaune | 16' |
Trompete | 8' |
Chamade | 16' |
Chamade | 8' |
Chamade | 4' |
III. SCHWELLWERK |
C-c4 |
Bourdon | 16' |
Flûte harmonique | 8' |
Gamba | 8' |
Voix céleste | 8' |
Octave | 4' |
Flûte octaviante | 4' |
Nasard harmonique | 2 2/3' |
Octavin | 2' |
Tierce harmonique | 1 3/5' |
Piccolo | 1' |
Cornet harmonique V | 8' |
Carillon V | 1 3/5' |
Plein jeu VI | 1 1/3' |
Basson | 16' |
Trompette harmonique | 8' |
Hautbois | 8' |
Tremolo | |
IV. SOLO |
C-c4 |
Stentorflöte | 8' |
Xiao (HD Flöte) | 4' |
Chamade | 16' |
Chamade | 8' |
Suona (Chamade) | 4' |
Tuba | 8' |
Tuba | 4' |
PEDAL |
C-f1 |
Vox balenae | 64' |
Untersatz | 32' |
Akustikbass | 32' |
Majorbass | 16' |
Subbass | 16' |
Quintbass | 10 2/3' |
Majoroctave | 8' |
Cello | 8' |
Gedackt | 8' |
Quinte | 5 1/3' |
Superoctave | 4' |
Viola | 4' |
Flöte | 4' |
Quinte | 2 2/3' |
Salicet | 2' |
Bauernflöte | 2' |
Garkleinflötlein | 1' |
Hintersatz VI | 2 2/3' |
Contra Posaune | 32' |
Posaune | 16' |
Trompete | 8' |
KOPPELN/COUPLERS |
|
IV – I | |
III – I | |
I – II | |
III – II | |
IV – II | |
IV – III | |
I – P | |
II – P | |
III – P | |
IV – P | |
I sub – I | |
I super – I | |
III sub – I | |
III super – I | |
I sub – II | |
I super – II | |
III sub – II | |
III super – II | |
III sub – III | |
III super – III |