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I. HAUPTWERK |
C-f³ |
Stops in order as they appear on the chest, new cone chests behind the side flats |
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Principal |
16' |
C – Ds spruce, open, 1900; E – cs° in the side flats, d° - h° in Oberwerk facade, 75% tin, 2005; c1 – f3 tin, 1837, own scale |
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Octave |
4' |
C – f3 tin, 1900, Töpfer scale B, -1HT |
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Gedeckt |
4' |
C – f2 tin, stopped pipes, 1900, Töpfer scale B – 6HT; fs2 – f3 conical open, tin, 1900, Töpfer scale B -3 HT |
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Rauschpfeife 2f |
2 2/3' |
C – f3 tin, open, 1900, Töpfer scale B – 1HT |
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Cornet 3f (ab g°) |
4' |
g°- f3 tin, open, 1900, Töpfer scale B + 2HT |
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Mixtur 2 – 5f |
2' |
C – f3 tin, 2005, reconstruction of the mixtures from 1900, Töpfer scale B – 1HT |
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Tuningboard |
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Trompete |
8' |
C – f3 German design, tin resonators and sockets, 1900 |
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Quintatön |
8' |
C – cs° tin, 2005; d° - f3 tin, 1837, own scale |
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Bordun |
8' |
C – f2 spruce/ maple, stopped pipes, fs2 – f3 tin, stopped pipes; reconstruction 2005; Töpfer scale B + 5HT |
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Hohlflöte |
8' |
C – H stopped pipes, spruce, 1900; c° - f3 open spruce/ oak, very wide mouths, 1900; own scale |
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Fugara |
8' |
C – H tin, open, reconstruction 2005; c° - f3 tin, had been shortened to 4’, once more restored to 8’; 1900; Töpfer scale B –11HT |
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Principal |
8' |
C – H reconstruction 2005; c° - f3 tin, 1900; Töpfer scale B +2 |
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II. NEBENWERK |
C-f³ |
Stops in order as they appear on the chest, new cone chests behind the central flats |
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Principal |
8' |
C – a° facade in the lower central flat, 75% tin, reconstruction 2005, own scale after Raster; b° - f3 tin, inside 1900, Töpfer scale B full |
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Unda maris (ab e°) |
8' |
Facade e° - f3; own scale; e° - f1, reconstruction 2005, fs1 – f3 tin, 1837 |
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Octave |
4' |
C – f3 tin, open, 1900, Töpfer scale B -3 |
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Fugara |
4' |
C – f3 tin, open, reconstruction 2005, Töpfer scale B, -10 HT |
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Rohrflöte |
4' |
C – f2 tin, stopped with chimneys, fs2 – f3 tin, open conical, 1900, own scale |
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Octave |
2' |
C – f3 tin, open, reconstruction 2005; Töpfer scale B – 3HT |
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Mixtur 4f |
1 1/3' |
C – f3 tin, 2005, Töpfer scale B – 3HT |
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Tuningboard |
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Clarinette |
8' |
C – f3 tin, free reed stop in the fashion of Schiedmeyer, reconstruction 2005 |
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Gedeckt |
8' |
C – f2 spruce/maple stopped pipes, fs2 – f3 tin, stopped pipes; Töpfer scale B – 7HT |
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Gamba |
8' |
C – H tin, reconstruction 2005, c° - f3 had been shortened to 2’, once more restored to 8’, tin, 1900; Töpfer scale B – 14HT |
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Quintatön |
16' |
C – h° spruce, reconstruction 2005; c1 – f3 tin, stopped pipes, 1900; Töpfer scale B –6HT |
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III. SCHWELLWERK |
C-f³ |
Stops in order as they appear on the chest from left to right, c - cs cone chests from 1900 behind the façade of the „Oberwerk“ and rotated 90 degrees |
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Oboe |
8' |
C – f3 tin, built after the German method, 1900. |
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Harmonia aeth. 4f |
2 2/3' |
C – f3 tin, 2005, string mixture, Töpfer scale B – 17 HT |
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Gemshorn |
4' |
C – f1 had been used as Weitpfeife 2’ in Pedal, original pipe length restored; C conical open, 1900; Cs – f1 conical open, tin, 1837; fs1 – f3 reconstructed, tin; own scale |
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Vox coelestis (ab c°) |
8' |
c° - f3 tin, reconstruction 2005, Töpfer scale B - 19 |
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Viola |
4' |
C– f3 open, tin; Töpfer scale B – 12 HT |
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Geigenprincipal |
8' |
C – H tin, open, reconstruction 2005; c° - f3 consolidated from the Pedal mixture; Töpfer scale B – 6 HT |
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Gamba |
8' |
C – H spruce, stopped pipes; c° - f3 tin, open, reconstruction 2005; Töpfer scale B – 10 HT |
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Tuningboard |
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Bordun |
16' |
C – f3 spruce/maple, stopped pipes, davon c° - h° 1900, C – H, c1 – f3 reconstruction 2005; Töpfer scale B – 10 HT |
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Salicional |
8' |
C – f3 tin, open, of which C – H tin, reconstruction 2005, c° -f3 used in Weidenpfeife 8’; Töpfer scale B – 15 HT |
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Aeoline |
8' |
C – f3 tin, open; Töpfer scale B – 17 HT |
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Principal |
4' |
C – f3 tin, open; Töpfer scale B – 4 HT |
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Wiener Flöte |
8' |
Combined with Liebl.Ged. 8', c° - f3 open, semi-circular mouths, very nicely built pipes, not made by Eggert but from 1900; own scale |
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Lieblich Gedeckt |
8' |
C – f2 spruce/maple, stopped pipes, of which C – H 1900, c° - f2 reconstruction 2005; Töpfer scale B – 7 HT, fs2 – f3 tin, stopped pipes; Töpfer scale B –6 HT |
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Traversflöte |
4' |
C – f3 tin, from c1 overblowing, 1900; own scale |
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Flageolet |
2' |
C – f3 tin, from fs° overblowing, 2005, own scale |
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Progression |
2' |
C – f3 tin, 2005, reconstruction of the Progression mixture from 1900, Töpfer scale B – 4HT |
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Tuba |
8' |
C – f3 German design; full, round tone; tin, 2005 |
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PEDAL |
C-d1 |
Stops in order as they appear on the chest, cone chest from 1900, positioned behind the case at ground level |
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Untersatz |
32' |
Spruce, stopped pipes, positioned on its own chest in the organ case, 2005; scale after Subbass 16’ |
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Trompete |
8' |
C – d1 tin resonator and socket, 1900 |
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Posaune |
16' |
C – d1 spruce resonator and socket, 1900 |
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Quintbass |
10 2/3' |
C – d1 spruce, stopped pipes, 1900, Töpfer scale – 2 HT |
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Octavbass |
8' |
C – d1 spruce, open, 1900, Töpfer scale, depth + 2 HT, width – 2 HT |
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Subbass |
16' |
C – d1 spruce, stopped pipes, 1900, Töpfer scale, depth – 4 HT, width – 9HT |
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Principalbass |
16' |
C – d1 spruce, open, 1900, Töpfer scale + 1 HT |
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Salicetbass |
16' |
C – d1 tin, open, reconstruction 2005, Töpfer scale – 13 HT |
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Gedecktbass |
8' |
C – d1 spruce, stopped pipes, 1900, Töpfer scale – 6 HT |
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Octave |
4' |
C – d1 tin, open, of which C, Cs 1900, D – d1 1837 |
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Total: 505 wooden + 2651 tin = 3156 pipes |
